Edited volume
Wilcox, Emily, and Soo Ryon Yoon, eds.
Inter-Asia in Motion: Dance as Method. London; New Delhi: Routledge (2023). Table of Contents
Reviews:
โโฆthis groundbreaking anthology sheds light on contemporary hybridity and contemporization that is occurring alongside the reimagining of traditional dance forms through inter- and intra-regional collaborations and exposure.โ โ Stephanie Burridge, Dance Chronicle
Co-edited special issue
Wilcox, Emily, and Soo Ryon Yoon, eds.
โInter-Asia in Motion: Dance as Method.โ Special issue, Inter-Asia Cultural Studies 23, no. 4 (December 2022).
Peer-reviewed articles
2024
โAlvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History.โ Dance Chronicle 47, no. 3 (2024): 525-48.
*Recipient of an Honorable Mention from the Dance Studies Association 2025 for the Gertrude Lippicott Award for the best English-language article published in dance studies
2021
โElastiCity: Performance Studies and Theme Parks.โ Global Performance Studies 4, no. 1 (2021) (Co-authored with Taylor C. Black, Shawn Chua, Eero Laine, Milton Lim, and Rumen Rachev)
2020
โArtists or Slave Laborers? Performing Uncapturability in Burkinabe Performersโ Labor Rights Struggle in South Korea.โ positions: asia critique 28, no. 2 (2020): 311-39.
2019
โTheatrics between Life and Death: Performing the urban history of Garibong-dong, Seoul in Camp or the Place that Became a Lion by Miwansung Project and OLTA.โ Performance Research 24, no. 4 (2019): 118-24.
2018
โโGangnam Styleโ in Dhaka and Inter-Asian Refraction.โ Inter-Asia Cultural Studies 19, no. 2 (2018): 162-79.
2017
โChoreographing Affinities and Differences: Notes on Korea-Africa Relations in Transnational Dance Collaboration.โ Journal of Contemporary Research in Dance (ๅฝไปฃ่่น่บๆฏ็ ็ฉถ) 2, no. 4 (2017): 18-29.
Chapters in edited volumes
In Progress and Forthcoming
โInnovation against Innovation: Korean Queer Artists and Institutional Technologies of Representation.โ In Womenโs Innovations in Theatre, Dance, and Performance series, Volume 1: Performers, edited by Colleen Kim Daniher and Marlis Young. London: Bloomsbury Publishing (co-authored with Yeong Ran Kim).
โDecolonizing Dance Dramaturgy in Korea.โ In Decolonizing Dramaturgy in a Global Context, edited by Magda Romanska, Taiwo Afolabi, Marjan Moosavi, Kee-Yoon Nahm and Jimmy A. Noriega. London: Bloomsbury Publishing (co-authored with Okju Son and Hyeongbin Cho).
โDance and Activism against Sexual Violence in Contemporary South Korea.โ In The Oxford Handbook of East Asian Gender History, edited by Barbara Molony, Hyaeweol Choi, and Janet Theiss. New York: Oxford University Press.
โUnsettling Queer Feminist Methods and Methodologies: Conversation with siren eun young jung.โ In The Routledge Companion to Feminist Performance, edited by Nobuko Anan, Charlotte Canning, and Asiedu Awo Mana. New York: Routledge.
2024
โComplexity.โ In The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies, edited by Tracy Davis and Paul Rae, 284-99. New York: Cambridge University Press, 2024 (co-authored with Ruthie Abeliovich and Leo Cabranes-Grant).
2023
โRacing the Real: Realism and Racial Representation in 20th Century Korean Theatre.โ In Realisms in East Asian Performance, edited by Jessica Nakamura and Katherine Saltzman-Li, 56-78. Ann Arbor: University of Michigan Press, 2023 (co-authored with Kayla Yuh). More on the book / Order
2020
โFans, Sashes, and Jesus: Evangelical Activism and Anti-LGBT Performance in South Korea.โ In Corporeal Politics: Dancing East Asia, edited by Emily Wilcox and Katherine Mezur, 284-300. Ann Arbor: University of Michigan Press, 2020. PDF
2018
โ๋๋ฏผ์ ์๊ฐ, ์๊ตญ๋ฏผ์ ์๊ฐโ (โRefugee Time, National Timeโ). ๊ฒฝ๊ณ์๋ ํ๋ฏธ๋์ฆ (Feminism without Borders), ๊น์ ํ ์ธ, 2018. Book descriptions (Korean)
Critical essays and reviews
2024
โA Queer Shape of Smell: Kangyu Garamโs ๐ฟ๐ข๐๐๐ฆ, ๐ด๐๐๐๐ก๐๐๐๐ก.โ Cha: An Asian Literary Journal, August 22, 2024. Online
โAn Ode to Unrequited Love, 30 Years Later: Wong Kar-waiโs Chungking Express.โ Cha: An Asian Literary Journal, March 29, 2024. Online
2023
โQueer Performance of Refusal and Circumventing in siren eun young jungโs Yeonseong Gukgeuk Project.โ In 10-Year Path of Korea Artist Prize, edited by Park Joowon, 177โ8. Seoul: National Museum of Modern and Contemporary Art, 2023. Online
โSensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN Dance.โ Theatre Times, November 26, 2023. Online
โ์ ํญ ๋ฒ์์์ ๋ํ๋ ์์ธ: ์ ํญ์ ๊ฐ์โ ์ฐ๊ทนin, September 7, 2023. Online
โ์ฐ๊ทน์ ์ ํญ, ์ ํญ์ ์ฐ๊ทน์ฑ: ์ ํญ์ ๊ฐ์โ ์ฐ๊ทนin, August 24, 2023. Online
โโ๊ฑด๊ฐโ ๊ฐ๋ ์ ์ธ์ฐ์ ํ์ฅํ๋ ์ฐ๊ทน: ์ฐ๋ฆฌ๋ ์ด๋ป๊ฒ ๊ฑด๊ฐํ ์ ์์๊น Part IIโ ์ฐ๊ทนin, April 2023. Online
โ[๋ฆฌ๋ทฐ] ์ธ์ข ์ฃผ์โข์ ๊ตญ์ฃผ์ ํต์น์ฒด์ ์ ๊ทธ๋ฌผ์์ ์ฌ์์ฐ ์ ์น๋ฅผ ๊ณ ๋ฏผํ๊ธฐ: ์ฐ๊ทน <๋ฆฌ๋๋ฆฌ์ค>โ ์ฑ์ ๊ถ๋ฆฌ์ ์ฌ์์ฐ์ ์๋ฅผ ์ํ ์ผํฐ ์ ฐ์ด, March 2023. Online
2022
โKim Jaedukโs Brown, Anti-Essentialism, and Contemporary Intercultural Dance.โ City Contemporary Dance Company, December 2022. Online
โ๋ถ์์ ๋๋ ค์ํ๋ ๋ฌด์ฉ๊ณ์์ โ์ ๋๋ฅผ ์๋ฌดโํ๋ค๋ ๊ฒ: ํ์ฝฉ ์๋ฌด๊ฐ ์กฐ์ ๋ฆฌ์์ ๋ํโ ์ถค:์ธ Choom: In, October 2022. Online
โ๊ฑฐ๋ํ ํ๋ ์, ์ผ์์ ๊ฒฐ์ง ๊ฐ๊ฐํ๊ธฐ: ํ์ฝฉ CCDC ๋ฉ๋ฆฌ์ฌ ๋ ์ธํฐ๋ทฐโ ์ถค:์ธ Choom: In, August 2022. Online
โDeath and the City: Meta-Reading CCDCโs Marรญa de Buenos Aires between the 1960sโ Buenos Aires and Present-Day Hong Kong.โ International Association of Theatre Critics Hong Kong, June 2022. Online
โ100% Hong Kong by Rimini Protokoll (review).โ Theatre Journal 74, no. 2 (2022): 229-31 (co-authored with Joanna Mansbridge). PDF
2021
โBook review of Revolutionary Bodies: Chinese Dance and the Socialist Legacy by Emily Wilcox.โ Theatre Research International 46, no. 2 (2021): 255-6. Online
2020
โBook review of Originless Fantasy: Reading Modern and Contemporary Korean Cultural History from Feminist Perspectives (<์๋ณธ ์๋ ํํ์ง: ํ๋ฏธ๋์คํธ ์๊ฐ์ผ๋ก ์ฝ๋ ํ๊ตญ ํ๋๋ฌธํ์ฌ>).โ Seoul Journal of Korean Studies 33, no. 2 (2020): 581-4. Online
โBook review of Elizabeth Sonโs Embodied Reckonings.โ Theatre Survey 61, no. 2 (2020): 286-8. PDF
2019
โMapping the Stage Differently: Theatre Me Too Movement and Internet Culture in South Korea.โ GenderIT.org: Feminist Reflection on Internet Policies, October 2019. Online
โ์ํ: ์๋ฐ๋ฆฌ ์์ฝ์ค ์ , <ํ๋ช ์ ๋ชธ๋ค: ์ฌํ์ฃผ์ ์ ์ฐ๊ณผ ์ค๊ตญ๋ฌด์ฉ>โ ๋ฌด์ฉ์ญ์ฌ๊ธฐ๋กํ Journal of Society for Dance Documentation and History 53 (2019): 303-9. Online
โLooking Back and Looking Forward in Dรชgรจsbรฉ.โ GPS: Global Performance Studies 2, no. 2 (2019): n.p. Online
โRefusing Obliquely in siren eun young jungโs Yeoseong Gukgeuk Project.โ In History Has Failed Us, But No Matter: The Korean Pavilion โ 58th International Art Exhibition, La Biennale Di Venezia, edited by Hyunjin Kim. Milano: Mousse Publishing, 2019. Catalogue descriptions
2018
โ๋ช ๊ฐ์ง โ์ฌ๋ก ๋ชจ์ โ ์ฅ๋ฉด์ ๋ํ ๋ ธํธ: ํ์ฝฉ, ์๋ฌด, ๊ทธ๋ฆฌ๊ณ ๋งํ๊ธฐโ ์ถค:์ธ Choom: In, October 2018. Online
Performance review of Clean Labour by Brendan Fernandes. ASAP/J, March 2018. Online
2016
Performance review of God Bless Baseball by Toshiki Okada. Theatre Journal 68, no. 3 (2016): 453-4. Online